On Memory

On Imagination

  • Imagination: Imagining and the Image,” Philosophy and Phenomenological Research (June, 1971)
  • Toward a Phenomenology of Imagination,” Journal of the British Society for Phenomenology (January, 1974)
  • “Comparative Phenomenology of Mental Activity: Memory, Hallucination, and Fantasy Contrasted with Imagination,” Research in Phenomenology (1976); reprinted with minor changes in Imagination and its Pathologies, ed, J. Phillips & J. Morley (MIT Press, 2003)
  • Imagination and Phenomenological Method,” Husserl: Expositions and Appraisals, eds. F. Elliston & P. McCormick (Notre Dame University Press, 1977)
  • Sartre on Imagination,” The Philosophy of Jean-Paul Sartre, ed. P.A. Schilpp (Library of Living Philosophers, 1981)
  • L’imagination comme intermédiare,” Vers une esthétique sans entrave, ed. G. Lascault (Union Générale d’Editions, 1975)
  • “Imagining, Perceiving, and Thinking,” Humanitas (spring, 1978)
  • “Bachelard and Bergson on Imagination and Memory,” forthcoming in a volume on Bachelard (Dallas Institute for Humanities)
  • Imagination,” co-written entry in The Encyclopedia of Phenomenology, ed. L. Embree et al. (Kluwer, 1997)
  • Imagination, Fantasy, Hallucination, and MemoryImagination and its Pathologies, eds. J. Phillips & J. Morley (MIT Press, 2003)

Psychoanalytic Theory

Philosophy of Art

  • Meaning in Art,” New Essays in Phenomenology, ed. J.M. Edie (Quadrangle, 1969)
  • Truth in Art,” Man and World (fall, 1970)
  • Expression and Communication in Art,” Journal of Aesthetics and Art Criticism (winter, 1971)
  • Le Poétique,” Revue d’Esthétique (spring, 1972)
  • “L’Esthéthique aux Etats-Unis,” Revue d’Esthétique (spring, 1972)
  • Art, Imagination, and the A Priori,” Analecta Husserliana (1974)
  • Literary Description and Phenomenological Method,” Yale French Studies (1981)
  • “Imagination and Repetition in Literature: A Reassessment,” Yale French Studies (1976)
  • “Place, Form, and Identity in Postmodern Architecture and Philosophy,” G. Shapiro ed., After the Future (SUNY, 1990)
  • “Retrieving the Difference between Place and Space,” Journal of Philosophy and the Visual Arts (1992)
  • “Reality in Representation: Earth and World in Landscape Painting and Maps (Spring 1993)
  • The Place of the Sublime,” in Analecta Husserliana, ed. A.-T. Tymieniecka (1997)
  • “Nature in/as the Sublime,” in a volume edited by M. Tanzer (forth-coming)
  • “The Power of Place in Landscape Painting,” in a forthcoming volume

Place, Time, and History

On the Glance

On the Edge

  • “Art and Edge,” Angelika (2004)
  • “Looking around the Edge of the World: Contending with the Continuist Principle and the Plenarist Passion”(Chora, vol. V, 2007)
  • “Borders and Boundaries: Edging into the Environment,” in Merleau-Ponty and Environmental Philosophy: Dwelling on the Landscapes of Thought, eds. S.L. Cataldi & W.S. Hamrick (Albany: SUNY Press, 2007)
  • Keeping Art to its Edge,” in Rethinking Facticity, ed. Fr. Raffoul & E.S. Nelson (SUNY Press, 2008)
  • Taking Bachelard from the Instant to the Edge,” (Philosophy Today, vol. 33, 2008)
  • Edges and the In-Between,” PhaenEx 3: 1-13

Articles Translated

  • “Ousia and Grammé,” Jacques Derrida, in Phenomenology in Perspective, ed. F.J. Smith (Nijhof, 1970)
  • “Structuralism and Humanism,” Mikel Dufrenne, in Patterns of the Life-World, ed. C. Schrag et al. (NorthwesternPress, 1970)
  • “The Phenomenology and Semiology of Art,” Mikel Dufrenne, in Phenomenology and Natural Existence, ed. D. Riepe (SUNY Press, 1973)
  • “Commentary on Wilfrid Sellars’s Paper,” Mikel Dufrenne, in Language and Human Nature, ed. P. Kurtz (Green, 1971)

Prefaces to Art Shows

  • “Flying Further Out”: preface to Megan Craig’s exhibition, “Lines of Flight,” Sundaram Tagore Gallery, New York City, December 11, 2008 to January 10, 2009
  • “Going Line”: preface to Eve Ingalls’s exhibition, “Riding the Tectonic Plates,” Soho20 Chelsea Gallery, New York City, March 31 – April 25, 2009

Book Reviews and Other Short Pieces

  • “Phenomenological Aesthetics” in Encyclopedia of Phenomenology, ed. Lester Embree (Dordrecht: Kluwer, 2009)
  • “Mikel Dufrenne,” in Encyclopedia of Phenomenology, ed. Lester Embree (Dordrecht: Kluwer, 2009)
  • “Place” in Encyclopedia of Social and Cultural Anthropology, eds. A. Barnard & J. Spencer (New York: Routledge, 2009)
  • Presence and Absence: Scope and Limits,” critical study of R. Sokolowski, Presence and Absence, in Review of Metaphysics (March, 1982)
  • “Once More into the Verge,” critical study of D. Krell, Of Memory, Reminiscence, and Writing, in Research in Phenomenology (1992)
  • Review of Aesthetics, ed. H. Osborne in Journal of the British Society for Phenomenology (1974)
  • Review of J. Naud, Une Philosophie de l’Imagination, in International Studies in Philosophy (1982)
  • Review of C. Hanly, Existentialism and Psychoanalysis, in The Psychoanalytic Quarterly (1983)
  • Miscellaneous Short Reviews, Review of Metaphysics, 1962-92
  • Phenomenology Comes of Age in America: Essays in Honor of John Wild,” Man and World (1975)
  • “The Role of Imagination in Art,” Proceedings of the Seventh International Congress of Aesthetics (1975)
  • “The History of the Society for Phenomenology and Existential Philosophy,” Journal of the British Society for Phenomenology (1972)
  • “Reflections on Responsibility,” To Make Sense (1972)
  • “Imagination and Art,” Transilvania (1972)
  • “Introduction” to Bruce Wilshire, Native American Philosophy (SUNY Press, 2002)
  • “Editors’ Introduction” (with David Miller), Philosophy and Psychology: special edition of Spring: A Journal in Archetypal Psychology (2007)

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